Freeview modes - a simplified explanation
As mentioned in How digital television works Freeview signals can be broadcast in a number of different "modes", which are a combination of five parameters. Some of these have changed over the years because the increase in computing power has made more efficient methods of broadcasting cheap enough to fit in a set-top box - it is now possible to broadcast high definition television or more standard definition services on the same physical wavelength.
As some of the ideas that are implemented would fill a text book by themselves, I have presented the concepts in a simplified way.
Sub-carriersEach Freeview multiplex is broadcast within an 8MHz channel that was originally allocated to analogue television. Rather than being a single broadcast, the channel is split into a number of different signals that sit next to each other.
The original digital terrestrial broadcasts (from the launch of ONdigital) used 1,705 sub signals (referred to as 2k mode) about 4,600 Hz apart. After switchover 6,817 subcarriers (8k mode) means the signals are 1,170 Hz apart, with the high definition service using 27,841 (32ke) subcarriers just 280Hz apart.
It is possible to space carriers so close together because they are carrying digital information, in the analogue domain the problem with sidebands would render a similar system useless.
Symbol durationFor reasons detailed below, the information is not transmitted in single bits on each carrier, but as groups of bits which are referred to as "symbols". Each symbol is held in the transmission system for a given duration, 1024 us. The longer this time is, the less information is carried, but too short a duration for each symbol would not allow the receiver to detect the information correctly.
Guard intervalEach subcarrier also uses a guard interval, which turns off each carrier as part of the transmission cycle. With SD broadcasts, this is 1/32th of the symbol time (32us), on HD it is 1/128th (8us). The guard intervals start each symbol and exist to deal with the problems of multipath - where the signal is being received directly and also by reflections.
Forward error correctionIn non-synchronous digital transmission systems, such as those used for the internet, the presence of data corruption between the sender and receiver can be signalled back to the source and the data resent.
However, a digital broadcast is a one-to-many unidirectional system, with no ability to ask for data to be resent.
For this reason, the transmissions use "forward error correction", which is a system that allows a certain level of errors to be detected.
The most basic form of a forward error correction (FEC) would be to transmit each bit twice - as long as each bit was sent along a separate subcarrier, then a single bit loss on one carrier could corrected by using the one sent on the other carrier. However, this is very inefficient, as it reduces the useful capacity of the system by half.
So, instead the DVB-T system uses a Punctured Convolution coding system. Instead of sending each bit twice, bits are grouped and then a code that describes the bits in a way that a single bit error can be detected and corrected most of the time.
Quadrature amplitude modulationIn the above descriptions, the word "symbol" was used to describe what is transmitted. You may have thought that a digital system would transmit information on the subcarriers as bits. However, doing this in a broadcast system is actually unproductive.
For this reason, quadrature amplitude modulation is used. This takes the incoming bits and encodes them in groups. The most basic form encodes bits two at a time, using sine (Q) and cosine (I) functions that are then added to the main carrier. In effect "00" is encoded as -Q-I, "11" as +Q+I, with "01" and "10" being +Q-I and -Q+I.
At the next level, as used for DVB-T, the bits are encoded in groups of four bits (16QAM) or eight bits (64QAM), with DVB-T2 being groups of 16 bits (256QAM).
UK Freeview modesThere are 10 modes defined for use in the UK, these are:
- Mode 1: DVB-T 1705 (2K) carriers, 64QAM mode, FEC=2/3, 1/32 guard = 24.13Mbps
- Mode 2: DVB-T 1705 (2K) carriers, 16QAM mode, FEC=3/4, 1/32 guard = 18.1Mbps
- Mode 3: DVB-T 6817 (8K) carriers, 64QAM mode, FEC=2/3, 1/32 guard = 24.1Mbps
Mode 4: DVB-T2 6913 (8KE) carriers, 64QAM mode, FEC=4/5, 1/32 guard = 34.7Mbpsunused Mode 5: DVB-T2 27841 (32KE) carriers, 256QAM mode, FEC=3/5, 1/128 guard = 36.1Mbpsunused
- Mode 6: DVB-T2 27841 (32KE) carriers, 256QAM mode, FEC=2/3, 1/128 guard = 40.2Mbps
- Mode 7: DVB-T 6817 (8K) carriers, QSPK mode, FEC=1/2, 1/32 guard = 6.0Mbps
- Mode 8: DVB-T 6817 (8K) carriers, 64QAM mode, FEC=3/4, 1/32 guard = 27.1Mbps
"high capacity commercial multiplex mode".
Mode 9: DVB-T2 27265 (32KN) carriers, 256QAM mode, FEC=3/5, 1/128 guard = 35.2Mbpsunused
- Mode 10: DVB-T2 27265 (32KN) carriers, 256QAM mode, FEC=2/3, 1/128 guard = 39.2Mbps
- Mode 11: "Northern Ireland mode" details TBC
Diagram showing capacity for each mode:
I live in Millbrook SE Cornwall( PL10 1HJ ) and receive Freeview from Plympton . Channels 45, 54 ,56 and 61 are very good via my old loft aerial but 42 , often marginal , has become almost non-existant ; I see there have been changes with that transmitter - are things going to improve ?
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John Stubberfield: You might need to move the aerial to a better spot. I have a loft aerial myself and I can honestly say that I had never experienced break-up before switchover. For a number of years I only ever watched digital transmissions.
Since then, I've moved it so that it is further away from the roof felt with quite a degree of success. I should point up that my signal strength on my Sony is very good.
I can appreciate that this sort of thing is frustrating because it happens so infrequently. You get the stepladder out and go up into the loft, move it and it looks fine. Then days later it plays up!
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